some of my best ideas fall flat, others are good from the get-go and then there are the ones that require patience
not in the doing, more in being patient to let the results and/or effects reveal themselves over time
in early August I started a new daily practice
if you've been following me for a while you'll know this is nothing new, in fact, if you've been with me long enough you're likely rolling your eyes already...
"Again?" you say?
I get these great ideas and get my kit all organized and after a couple of days, three or four at best, it fizzles out
usually because I overestimate the amount of time I have/wish to devote to it and/or I underestimate how much time said practice will take
I suppose the reason I keep trying to find something that will work is because I have had three very successful ones over the years that helped me a lot
so, back in August I thought I would try doing a paper-based collage one day and a similar thing in fabric and stitch the next
four days in and it was over... the stitched pieces were taking way too long and neither were anywhere near done, and the collage pieces were a struggle - couldn't make my mind up about anything
stubborn though I am, I ditched the stitch and kept the collage and shifted the schedule to every other day
it worked fairly well - the collages were still a terrible struggle but at least I had every other day off from it... it was so bad I wanted to just quit altogether but I didn't want to be a quitter so I told myself I needed to make snap decisions, if you like it, stick it down... I kept at it and after about ten of them they started to get easier
limiting choices (sort of - I am me after all) and telling myself "snap, snap" when deciding helped a lot
I don't make marks if I don't feel like it - most are just assemblages
some I'm ok with, some I quite like and others I find rather intriguing
these are in the order of recent to the last one being done August 22
I have all sorts of pieces of painted watercolour paper, painted tissue paper and painted copy paper - the one above is acrylic paint on watercolour paper - not a good idea unless you put gesso down first which is why it ended up in the collage box
I cropped it and added a few scraps of papers and a piece of lace - it's busy but I find I quite like busy at times
the next one is another piece of watercolour paper - I had made a gelli-plate printed paper with a part I thought looked like a cliff so that's glued on top of an earlier failed island, part of a greeting card, a torn piece of paper I stamped with a fern stamp I made and then strips cut to look like fern leaves
the one below is one of my very favourites
I just love it but don't ask me why - I don't know
maybe the shadowy grey mountain in the background (random scrap of paper I painted with a scraping tool), the brown piece cut out from a separate paper painted the same way, a torn piece of "map" wrapping paper and other random papers
it came together quickly and easily... the best ones always do I think
the one below makes me think of mountains as well
I want to draw lines on it but haven't made up my mind where so it sits
I've done four or five that are mountains - they all have sharp angles and bold lines
it's given me a lot to think about - why this? why now?
but then I don't want to get hung up on the why's or wherefores right now - I just want to do, and in doing, over time, those questions will be answered - in their own time
and to be truthful, I'm afraid if I think too much about it I will get "tight" in the making and will lose them
and lastly, something else
early in the Spring I was painting with watercolour on tissue paper and got some interesting effects - this was a favourite so I tore it down and glued it to heavy paper
as I was looking at it yesterday I saw a leaf shape in the lower right and also a few random petal shapes here and there
I debated drawing on it but decided not to; instead, I laid tracing paper over top and then drew what I was seeing, following the edges and also the shapes
I did add some extra definition afterward, here and there, just to emphasise certain areas and make it a drawing of a flower rather than just a representation of one which was where it started
so much fun, done on impulse, less than ten minutes
acting on impulse will sometimes give the best results; the excitement is high and the thinking fresh - I read that a few weeks ago and since then I've had a few interesting ideas such as this and I've got at them straight away
think it, try it
2 comments:
Oh how interesting this all is as I seem to be in parallel with you working on collage (and abstraction) and I totally agree that the first go is often the best … and that pushing further, overthinking, can kill it. Sometimes I put something down which I like and then manage to mess it up just by removing the pieces for gluing… not quite put back in the place they should go. I always need to take a photo before gluing.
You have created some real treasures here. My absolute favourite which I keep going back to is the second one down… the one with the extension of the greeting card and the rock cliff in the background. It is totally stunning both in colour and composition, peaceful to look at and I love the way you have included the fern stamped paper to complete the botanically themed corner. The whole has a Japanese zen look about it.
In contrast, I also love the cubist angles of the mountains in the next picture down.
Each piece has its own character. Your collection is building beautifully… will you keep them in a box? Or maybe gather them into a sketchbook?
I haven't gotten into freeform painting although I do add paint here and there to my fabric landscapes. If I were to start working with papers of various sorts it would mean a whole 'nother stash would have to start and I am resisting that at the moment. I'm not saying that, once my love affair with fabric landscapes abates (and I know it will, in time) that I won't find paper to be my next passion. Time will tell. In the meantime I'm fully enjoying what you're doing!
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